Roy Khan: Oh hey this is Roy Khan of Kamelot am I speaking with Denise?
Blissfulviolet: Hey Roy this is Denise. How are you doing?
Roy Khan: Hi I’m doing pretty good; How are you?
Blissfulviolet: I’m doing great. Thanks for taking the time to do this interview, where are you calling from?
Roy Khan: I’m calling from Norway.
Blissfulviolet: That’s great. Knowing that you’re from Norway, with the majority of
Kamelot based in the US; do you mainly stay in the US or Norway?
Roy Khan: Oh I’ve always lived in Norway.
Blissfulviolet: You guys just recently came back from the Ghost Opera Japanese Tour how did that go?
Roy Khan: It went great. Japan has always been a great country for us. It’s like another different world there. It’s a big city but in a way it’s a little like New York, but the people are different, the stores are different a lot of funny letters…But the fans are really devoted, very polite and everything is extremely well organized in Japan.
The US tour also went good. We did about a month in the US/Canada. The US is definitely one of our target areas. It’s a market that we have seen growing these days. People from the US have been more and more trying to seek out different stuff from what is currently in the main scene. I don’t know why but for some reason it seems to be growing, which is great. This tour was like 20% better then what it was last time; depending on what day we played and stuff like that of course. What’s happening in the US these days is very interesting.
Blissfulviolet: I noticed as well that the demand for Kamelot has been great. Ghost Opera has been doing extremely well in the charts and you guys are even adding a part II to the European tour, is this correct?
Roy Khan: Yes we are going to do another run next spring, I believe in April. We are also talking about doing the same thing in the US. It makes sense to tour again, even though there is not another new record out, it makes sense to go back. There are many people out there that didn’t get to see us for what ever reason when we played in their hometown, and there are defiantly those people who would like to see Kamelot again. After that we are going to start thinking about the new record.
Blissfulviolet: Have you guys been throwing out any ideas yet for this future album?
Roy Khan: Not really, we have talked about setting a song writing session in January or something. Right now we need some vacation and time off. We are going to take from now till Christmas off to spend some time with family, friends and do normal stuff. We also got a real good offer from South America, which I’m not sure if we’re going to do. It’s an option, but there is still more videos, song writing to keep us busy till the next European run in April. We still haven’t talked about new songs yet, not even any ideas for songs. We have been so busy with promoting this album.
Blissfulviolet: I see…so what did you enjoy most about making Ghost Opera?
Roy Khan: What did I enjoy the most? Hmmm…Well the whole process. There are 2 reasons why I even do this at all…The process of creating a song and the actual performance of a song, which is the live situation.
When we start to write a song it might start off with a melody, a groove or guitar riff or lyrics. The song writing isn’t really in until the last tweak in the studio. I really enjoy the whole process of writing and recording music. It’s also always fun to work with all the people that we work with…Sasha, Euro, Amanda…
Blissfulviolet: The Ghost Opera album lyrics are some of the darkest and heaviest lyrics that you have ever written in a recorded Kamelot album. Would you agree?
Roy Khan: Yes and that was very direct. The last two records ‘Epica’ and ‘The Black Halo,’ we sat down and worked on the lyrics to the songs first. This time around we did all the music first and I think that made the song writing process different from our previous recordings because this time we let the music inspire the lyrics. The music in Ghost Opera is very melancholy and some of it is really heavy.
It was not a very conscious process, sometimes I just find a line catchy and then I start spinning on that. More then anything I can say the music inspires the lyrics. I’d say 8 out of 10-11 songs were inspired by the music…like the chorus for the title track Ghost Opera, that haunting line (hums Welcome all to curtain call) That line, well we
sat down and thought about what this song was going to be about and we felt that it should be something Ghostlike, the feeling. Although the song is about this lady thinking back on her days as an inspiring opera singer on her way to her debut concert, she gets raped on the way…a very macabre story.
Blissfulviolet: But you guys also incorporate your personal experience into your music as well…
Roy Khan: Absolutely. I don’t think there is anybody that writes or plays their own music that doesn’t use their personal experience in their music. It’s magic. It’s kind of magical the way a song is written, when you think about… I mean you take something out of nowhere and it might not make sense at first but you create a song out of it.
Blissfulviolet: Do you feel that this new album will take Kamelot in a new direction?
Roy Khan: Yes, I think it has. We are gaining new fans and our old fans seem to like this album as well. This album is for sure going to take us further forward; it’s going to help us grow and make our fan base wider. I can’t really say that it’s a new direction for the band music wise though. I mean in the band we all like gothic elements, which explains that sound in our music.
Blissfulviolet: How would you say your musical career has been so far this past 10 years?
Roy Khan: It’s been great. I can’t really explain but the band keeps growing and growing but that of course is also a result that the genre for this type of music has been growing.
Blissfulviolet: What do you think sets Kamelot aside from other bands that are out there today?
Roy Khan: I think that my voice is very different in this genre…I can’t really explain it but I would have to say the way we write songs is also unique in this genre as well; the way we blend all types of styles in our music. We have used everything from rock, goth, power metal, black, opera and I think this is one of Kamelots trademarks.
Blissfulviolet: I’m sure that you have been asked this many times before but what influenced you to become a singer and interest you in this style of music?
Roy Khan: If I really go way back I think it was Elvis Presley. My dad was a huge Elvis fan and I think that must have inspired me consciously somehow. And then there’s Geoff Tate of Queensryche. The style I don’t know it’s hard to say…Judas Priest, Queensryche, Iron Maiden. I just happen to like real heavy guitars and melodic vocals.
Blissfulviolet: As a singer and song writer do you have any future goals that you would still like to one day accomplish?
Roy Khan: More recordings and of course everyone wants their band to be as big as the planet. We always like to challenge ourselves…new style, new stuff on every record. We always manage to reinvent ourselves to keep our fan base happy.
Blissfulviolet: Awhile back that some of the guys of Kamelot had you go skydiving? How was this experience?
Roy Khan: That was a PR thing, when they asked I said yes right away but it was kind of a scary experience. It felt pretty good at first but once you’re past so many feet your body feels compressed. I could feel all the wind up my nose and ears, it was very cold; I don’t think I’ll ever do it again.
Blissfulviolet: Thanks for your time. Is there anything else Kamelot fans should be on the lookout for?
Roy Khan: More touring, we can’t wait to get out there and a new album in the near future. Thanks it was nice talking to you.
The metal world seems to be yearning for something different when it comes to mainstream music. Kamelot is the perfect example of one of the few bands that has succeeded to capture a wide audience with their use of elements ranging from goth, power, rock, to symphonic progressive metal. Their latest release Ghost Opera, has conquered by the storm and it’s no wonder why this band stands on a plain of their own.